Multi-Media Communications

HD & 4K video

Richard Fomo Productions


Richard Fomo's Equipment

Cameras and recording


Sony PXW-FS7 Mark 2, 60p 4K XAVC Intra recording, 180 fps HD, S-Log3, Variable ND


Sony A7R Mark 2, UHD full-frame mirrorless, 60p HD XAVC Long GOP recording, S-Log2


Atomos Shogun 7" field monitor/SSD recorder, 4k SDI/HDMI, ProRes, DNxHD, Cine DNG


Atomos Sumo 19" field/studio monitor/SSD recorder, 4k SDI/HDMI, ProRes Raw, Cine DNG Raw, DNxHD


Black Magic Design 5" HD monitor/recorder:  records ProRes to SD cards (used with gimbal)


Sony PMW-EX3 XDCam EX camera w/18x Canon f/1.4 industrial lens (for events/ENG)


Teradek Cube755 real time HEVC web encoding/streaming device for events and shows


Lenses, AF:


  • Canon EF 24-105mm f/4L IS USM (FF lens w/Metabones speed booster, effectively f/2.8 aperture),
  • Canon EF 50mm FF AF prime f/1.4 (w/MB speed booster, effectively f/1 aperture)
  • Nikkor Super35 17-55mm f/2.8,
  • Tamron Super35 70-200mm f/2.8 macro (Nikon mount),
  • Nikkor Super35 55-300mm f/4.5-5.6,
  • Sony AF 18-200mm f/3.5-6.3 OSS  E-mount,
  • Sony AF 16-35mm f/4 FE Zeiss OSS,
  • Sony AF 70-200mm f/4 FE G OSS
  • Sony AF 28mm f/2 FE AF prime


Nikkor AIS MF full frame primes:


  • 35mm f/1.4,
  • 50mm f/1.4,
  • 85mm f/2;
  • Metabones speed booster for Nikon lens converted to Sony E-mount





Sachtler 6SB fluid tripod


Manfrotto fluid tripod


SLR tripod, monopod, tripod dolly


8’ Pro Am crane/jib used with A7Rii


Edelkrone 4' tripod-mounted slider with manual Steady Module, used with Sony A7Rii


Zhiyun Tech Crane 2 gimbal stabilizer, used with Sony A7Rii camera


Zacuto recoil shoulder rig for Sony FS7 M2 camera


Smal Rig SLR cage for Sony A7Rii





Zylight F8 LED daylight fresnel, diffusion, CC gels, barn doors, V-mount batt./AC, C-stand


Lowel TotaLED daylight flood, diffusion, CC gels, barn doors, V-mount batteries/AC


Dracast LED500 Bi-color panels (2), barn doors, diffusion, grids, V-mount batteries/AC


Kinotehnik Practilite 602 bi-color LED fresnel, battery/AC (can tap into V-mount battery)


Switronix & Dracast Bi-color LED camera lights, Sony NP battery operation


umbrellas, 45 to 65 inches, for diffused or reflected lighting, used with any of my lights





2 Sennheiser condenser mics:  ME66 & ME64


overhead boom stand


2 Sennheiser Evolution 100 G3 wireless systems:  1 combo & 1 lav only


3 Tram 50 lavalier mics, 3 phantom power modules to adapt lavs to XLR,


VideoMic Pro camera shoe-mount condenser mic for DSLR camera input


1 omni ElectroVoice dynamic vocal mic (use with Sennheiser handheld transmitter)


Tascam DR60 II 4-channel mic/line mixer/recorder for DSLR cameras; also records stereo audio from Azden mixer


Azden FMX-42 4-channel mic/line field mixer & Azden FMX-DSLR 2-channel mic/line field mixer



Grip, etc.


Flexfills, 8 surfaces and armature


5’x7’ black/white surface with crossbar & stands


cookie, ND, CC and color gels, nets and diffusion


black foil, flags, grip heads, spring clamps, sandbags


8 light stands of various weight ratings

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