Multi-Media Communications

HD & 4K video

Richard Fomo Productions

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Richard Fomo's Equipment

Cameras and recording

 

Sony PXW-FS7 Mark 2, 60p 4K XAVC Intra recording, 180 fps HD, S-Log3, Variable ND

 

Sony A7R Mark 2, UHD full-frame mirrorless, 60p HD XAVC Long GOP recording, S-Log2

 

Atomos Shogun 7" field monitor/SSD recorder, 4k SDI/HDMI, ProRes, DNxHD, Cine DNG

 

Atomos Sumo 19" field/studio monitor/SSD recorder, 4k SDI/HDMI, ProRes Raw, Cine DNG Raw, DNxHD

 

Black Magic Design 5" HD monitor/recorder:  records ProRes to SD cards (used with gimbal)

 

Sony PMW-EX3 XDCam EX camera w/18x Canon f/1.4 industrial lens (for events/ENG)

 

Teradek Cube755 real time HEVC web encoding/streaming device for events and shows

 

Lenses, AF:

 

  • Canon EF 24-105mm f/4L IS USM (w/Metabones speed booster for effective f/2.8 aperture),
  • Nikkor Super35 17-55mm f/2.8,
  • Tamron Super35 70-200mm f/2.8 macro (Nikon mount),
  • Nikkor Super35 55-300mm f/4.5-5.6,
  • Sony AF 18-200mm f/3.5-6.3 OSS  E-mount,
  • Sony AF 16-35mm f/4 FE Zeiss OSS,
  • Sony AF 70-200mm f/4 FE G OSS
  • Sony AF 28mm f/2 FE prime

 

Nikkor AIS MF full frame primes:

 

  • 35mm f/1.4,
  • 50mm f/1.4,
  • 85mm f/2;
  • Metabones speed booster for Nikon lens converted to Sony E-mount

 

 

Support

 

Sachtler 6SB fluid tripod

 

Manfrotto fluid tripod

 

SLR tripod, monopod, tripod dolly

 

8’ Pro Am crane/jib used with A7Rii

 

Edelkrone 4' tripod-mounted slider with manual Steady Module, used with Sony A7Rii

 

Zhiyun Tech Crane 2 gimbal stabilizer, used with Sony A7Rii camera

 

Zacuto recoil shoulder rig for Sony FS7 M2 camera

 

SLR cage for Sony A7Rii

 

 

Lighting

 

Zylight F8 LED daylight fresnel, diffusion, CC gels, barn doors, V-mount batt./AC, C-stand

 

Lowel TotaLED daylight flood, diffusion, CC gels, barn doors, V-mount batteries/AC

 

Dracast LED500 Bi-color panels (2), barn doors, diffusion, grids, V-mount batteries/AC

 

Kinotehnik Practilite 602 bi-color LED fresnel, battery/AC (can tap into V-mount battery)

 

Switronix & Dracast Bi-color LED camera lights, Sony NP battery operation

 

umbrellas, 45 to 65 inches, for diffused or reflected lighting, used with any of my lights

 

 

Audio

 

2 Sennheiser condenser mics:  ME66 & ME64

 

overhead boom stand

 

2 Sennheiser Evolution 100 G3 wireless systems:  1 combo & 1 lav only

 

3 Tram 50 lavalier mics, 3 phantom power modules to adapt lavs to XLR,

 

VideoMic Pro camera shoe-mount condenser mic for DSLR camera input

 

1 omni ElectroVoice dynamic vocal mic (use with Sennheiser handheld transmitter)

 

Tascam DR60 II 4-channel mic/line mixer/recorder for DSLR cameras; also records stereo audio from Azden mixer

 

Azden FMX-42 4-channel mic/line field mixer & Azden FMX-DSLR 2-channel mic/line field mixer

 

 

Grip, etc.

 

Flexfills, 8 surfaces and armature

 

5’x7’ black/white surface with crossbar & stands

 

cookie, ND, CC and color gels, nets and diffusion

 

black foil, flags, grip heads, spring clamps, sandbags

 

8 light stands of various weight ratings

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